|
|
|
|
|
Sheldon
Museum of Art, Lincoln NE
My photograph,
Light Smog, Downtown Los Angeles, 10/10/84 is
on view in the exhibition “Photographic
Abstraction” at the Sheldon Museum of Art, Lincoln NE, August
16 until December 22, 2022. The photograph is one of my images of Los
Angeles skies
titled with the day’s pollution report. Click
to view a set of my other Smog images. |
|
|
|
|
|
|
|
|
|
|
|
|
Victoria
& Albert Museum,
London
My photograph,
S.N. Ward Mobil Service, Pasadena CA, 1978, was published
in two deluxe hardbound books: |
|
Magnetic West,
The Enduring Allure of the American West in Photography, Andrew Wallace, Figge Art Museum and Sioux City
Art Center, catalog of the exhibition, Skira publishers, July
2021 |
|
Autofocus:
The Car in Photography, Marta Weiss, Victoria
and Albert Museum, London, Thames & Hudson publishers, Dec.,
2019 |
|
|
|
|
|
|
|
|
M.I.T.
Museum, Cambridge MA |
|
|
My book,Sweetstuff, comprised of 17 original Polaroid
diptychs |
|
|
|
|
|
|
My
Photographs on display at the MIT Museum, Cambridge, MA,
and published
in The Polaroid Project: At the Intersection of Art and Technology |
|
My limited-edition
book, Sweetstuff, 1978,
of 16 original Polaroid diptychs was on display in The
Polaroid Project: At the Intersection of Art and Technology at
the MIT Museum, Cambridge MA, Oct 11, 2019–Feb 23,
2020. Sweetstuff (see above) is open to 42
Gumballs (chewed
and stretched). The Polaroid Project was previously exhibited
in Fort Worth, Vienna, Berlin, Hambourg, Singapore and
Montreal. The Thames and Hudson book (left) of reproductions
and texts about the exhibition includes two other photographs
from Sweetstuff. Garbage
Candy, is on the left side of the two-page spread. The
photograph on the right is by Sue Doyle. |
|
|
|
|
|
|
|
|
|
Artist to Artist at
the Monterey Museum of Art |
|
Artist
to Artist, an exhibition of 38 photographs comprising
six sequences about connections and relationships among
artists, is on display in a one-artist show at The Monterey
Museum of Art, Monterey CA, Sep 6–Dec 31, 2019 |
|
|
|
|
|
|
|
|
|
|
My
photographs at the San Francisco Museum of Modern
Art |
|
Three
of my photographs were on display at the San Francisco Museum
of Modern
Art, July–December, 2019,
in the exhibition, Don't! Photography and the Art of Mistakes, included
works by Man Ray, Florence Henri, Lisette Model, Ilse Bing, Ralph
Eugene Meatyard, John
Gossage and Sara Cwynar in which “mistakes” such
as double exposure, lens flare, motion blur, solarization and
processing accidents contribute to the success of the photographs.
The presentation begins with an exhibition of vintage self-help
books by self-proclaimed experts offering instructions and rules
meant to assure successful photography. My Polaroids of such
books, made in 1975, are in the last gallery where they reprise
the physical books while making an ironic reference to the canon
of “good” photography that is so gleefully violated
in this exhibition.
|
|
|
|
|
|
|
|
|
Artist
to Artist
Canessa Gallery, San Francisco |
|
Artist
to Artist, an exhibition of 38 photographs comprising
six sequences about relastionships and connections among
artists were displayed in a one-artist show at Canessa
Gallery, San Francisco, August, 2018 |
|
|
|
|
|
|
American
Cameras
Robert Berman Gallery,
Santa Monica CA |
|
Four of my American
Cameras photographs were included in the exhibition "Looking
Back: 10 Years of Photography at Robert Berman Gallery," Bergamot
Station, Santa Monica, CA, January–February, 2017 |
|
|
|
|
|
|
|
|
Artist
to Artist
St. Louis University Museum
of Art |
|
Five of my Artist
to Artist photographs were on display in the exhibition "Explorations
in Reality: Photographs from the Permanent Collection," at
the St. Louis University Museum of Art, September–December
2016. The sequence charts relationships and connections among
artists:
Erik Satie–Man Ray
/ Man Ray–Sherrie Levine
/ Levine–René Magritte
/ Magritte–André Breton
/ Breton–Alberto Giacometti. My thanks to Petruta Lipan, museum director, and
Robert
Von Sternberg of The Museum Project. |
|
|
|
|
|
|
|
An American
Camera at
Victoria and Albert Museum,
London |
|
Imperial
Debonair, 1983, from American
Cameras was on display
at the Victoria and Albert Museum, London, in an exhibition called
"The Camera Exposed," July, 1916 – March, 2017. |
|
|
|
|
|
|
|
|
American
Cameras published
in
Exposure Magazine |
|
An
article by Mark Johnstone, Victor Landweber's American
Cameras: Referencing
Art and Shifting Time, was published in Exposure Magazine,
The Society for Photographic Education, Fall, 2015, |
|
|
|
|
|
|
|
|
|
|
|
|
Auduboniana
Norton
Simon Museum, Pasadena CA |
|
Nine
of my Auduboniana photographic
collages were on display at the Norton Simon Museum, Pasadena,
CA, in the exhibition "Human
Nature: Photographers Constructing the Natural
Environment." These are the first digital
prints to have been acquired by the Museum. March–August,
2015. |
|
|
|
|
|
|
|
|
|
"Human
Nature: Photographers Constructing the Natural Environment" was
on display at the Norton Simon Museum, Pasadena, CA. The exhibition
included
photographic works by Lewis Baltz, Darryl Curran, Robert Fichter,
Suda House,Kenneth
Josephson, Victor Landweber, Jerry McMillan, Jane O'Neal,
John Pfahl, and Robert von Sternberg. March–August, 2015. |
|
|
|
|
|
|
|
|
|
|
American
Cameras
Joseph Bellows Gallery, La Jolla, CA |
|
15 American
Cameras were exhibited in a one-person show at Joseph
Bellows Gallery, La Jolla, CA, July 26 –September 6,
2014 |
|
|
|
|
|
|
Cherie
Holding Colored Cards
Denver Art Museum |
|
My
High School Colors was included in the exhibition, “Photography
and Vision” and published in the catalog, Companion
to the Strauss Photography Collection, Denver Art Museum,
June 2014–January 2015. |
|
|
|
|
|
|
|
|
Photographs
published in Coreopsis Magazine |
|
The
cover image, an interview and a portfolio of ten images
from Looks
Like Art were
published in the Summer,
2014, issue of “Coreopsis Journal of Myth and Theater,” The
Society for Ritual Arts, Berkeley CA. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Treasure
Tones at
Pacific
Design Center, Los Angeles
|
|
Eleven
of my Treasure
Tones photographs were included in a group exhibition
of post-Minimalist works, Hudson|Linc Gallery, Pacific Design
Center, Los Angeles, March–May, 2013 |
|
|
|
|
|
|
|
Cherie Holding
Colored Cards and Robert Heinecken's Recto/Verso at
Berman Gallery, Bergamot Station, Santa Monica |
|
12 large color
photographs: Cherie
Holding Colored Cards and Treasure
Tones, also Robert Heinecken's Recto/Verso portfolio
(published by Landweber/Artists, 1989), were shown at Robert
Berman Gallery, Bergamot Station Arts Center, Santa Monica, CA,
October–December, 2011. |
|
|
|
|
|
|
|
Seismic
Shift at the
California Museum of Photography |
|
My photograph
(left), California Desert near Indio (1969) and Lewis
Baltz's photograph (right), were exhibited and published in the
catalog of the exhibition, Seismic Shift: Lewis Baltz, Joe
Deal and California Landscape Photography, 1944–1984, California
Museum of Photography, University of California, Riverside, October,
2011. |
|
|
|
|
|
|
Mission
San Antonio de Padua Portfolio |
|
Victor Landweber
(left), Purification Pit (2011) and Ina Evans (right), Our
Lady of the Immaculate Concepción (2011), were included
in a boxed portfolio, edition of 52, published September, 2011.
We were guest artists at the Mission San Antonio de Padua Photography
Workshop, April 2011. The portfolio consists of prints by faculty,
guest artists and students. |
|
|
|
|
|
|
|
50 Years
of Bay Area Art
The SECA Awards at SFMOMA |
|
Ishi
Bar, San Francisco Airport, 1977, was exhibited at the
San Francisco Museum of Modern Art in the exhibition “Fifty
Years of Bay Area Art: The SECA Awards.” On display
December, 2011–April, 2012. Another photograph is
reproduced in the catalog of the exhibition. I was a participant
in
the 1980 SECA Photography Invitational.
Click
to view the picture on display. |
|
|
|
|
|
|
|
|
|
Treasure
Tones at
Steven Wolf Fine Arts |
|
15
large color photographs, Treasure
Tones, were shown in
a one-artist exhibition at Steven
Wolf Fine Arts, San Francisco, May–June, 2011. The image
on the announcement is Golden Dawn (1976/2009). |
|
|
|
|
|
|
Reality
Revisited
Moderna Museet, Stockholm |
|
S.N.
Ward and Son Mobil Service (1978), was exhibited and
published in the catalog of the exhibition, Reality
Revisited, Moderna
Museet, Stockholm, October, 2010. |
|
|
|
|
|
|
|
|
|
|
75th
Anniversary Exhibition
San Francisco Museum of Modern Art |
|
Los
Angeles County Fair, Pomona, 1979 was included in the
San Francisco Museum of Modern Art 75th Anniversary Exhibition, "The
View From Here," February–June, 2010
Click
to view the picture on display. |
|
|
|
|
|
|
|
|
Gallery of
California Art at the Oakland Museum of California |
|
Hand Series
No. 4 was included in the Gallery of California Art, the
inaugural exhibition of the new galleries at the Oakland Museum
of California, May 2010–December 2014. This is my photograph
of Nadereh Degani photographing my photograph at OMCA.
Click to view the picture on display. |
|
|
|
|
|
|
FROM
THE ARCHIVE (1988)
American Cameras at O.K. Harris
|
|
I always thought
of American
Cameras as a Pop Art project which
was nicely confirmed by an exhibition at O.K. Harris Gallery,
NYC, when Ivan Karp, one of the protochampions of Pop, showed
the full set of fifteen photographs in 1988. |
|
|
|
|
|
|
|